Title
Joaquin vs. Zosa
Case
G.R. No. 108946
Decision Date
Jan 28, 1999
Petitioners sought to annul DOJ's resolution dismissing their copyright infringement complaint against respondents related to the television show format.

Case Summary (G.R. No. 108946)

Key Dates and Procedural Posture

Important dates include: BJPI’s original copyright certificate (Jan. 28, 1971) and addendum (June 28, 1973); Joaquin’s viewing of It’s a Date and subsequent letters to Zosa (July 14–25, 1991); IXL’s copyright registration for an episode of It’s a Date (certificate issued Aug. 14, 1991); filing of an information for violation of P.D. No. 49 in the Quezon City RTC (docketed as Criminal Case No. Q-92-27854); review before the Department of Justice and Secretary Drilon’s reversal of the assistant city prosecutor and directive to move for dismissal (Aug. 12, 1992) and denial of Joaquin’s motion for reconsideration (Dec. 3, 1992); petition for certiorari followed in the Supreme Court. Because the decision in this matter postdates 1990, the applicable constitutional framework is the 1987 Constitution.

Facts Relevant to the Dispute

BJPI asserted ownership of the audiovisual works comprising episodes of Rhoda and Me and claimed that It’s a Date reproduced the format and execution of Rhoda and Me. Joaquin sent demand letters to IXL after observing It’s a Date on television; Zosa apologized and requested settlement talks but IXL continued airing the show and later sought a copyright registration for an episode of It’s a Date. Petitioners filed a criminal complaint for infringement under P.D. No. 49 against Zosa and RPN officers; a preliminary investigation led to action by the assistant city prosecutor, but Zosa sought review before the Secretary of Justice, who reversed and directed dismissal for lack of probable cause, resulting in this certiorari petition.

Issues Raised by the Petitioners

Petitioners advanced two principal contentions: (1) the Secretary of Justice gravely abused his discretion (amounting to lack of jurisdiction) by relying on the non-presentation of the copyrighted master videotape as fatal to a finding of probable cause, when that ground had not been raised by respondents during preliminary investigation; and (2) the Secretary usurped the judicial function by determining whether the format or mechanics of the television show were copyrightable—an issue petitioners contend is exclusively for the trial court to resolve in proper proceedings.

Relevant Statutory and Procedural Law

The matter implicates the statutory copyright framework under P.D. No. 49 (Decree on Intellectual Property) — specifically Section 2’s enumeration of protected classes of works (including cinematographic and audio-visual recordings under subsection (M)) — and later corroborated language in the Intellectual Property Code (R.A. No. 8293) that excludes ideas, concepts, formats, procedures, and methods from copyright protection (Sec. 175). Procedurally, the powers and duties of prosecutors and the Secretary of Justice’s review are governed by Rule 112, section 4 of the Revised Rules of Criminal Procedure as cited: the investigating fiscal must certify probable cause and forward records, the city or provincial fiscal acts within prescribed periods, and the Secretary of Justice may reverse a fiscal’s resolution and direct dismissal or filing without necessarily requiring another preliminary investigation. The Secretary is permitted to consider errors not expressly assigned to him in resolving whether probable cause exists; his findings are reviewable only for grave abuse of discretion.

Secretary of Justice’s Findings and Rationale

The Secretary reversed the assistant city prosecutor’s finding of probable cause and directed dismissal on two pivotal grounds: (1) the abstract idea, concept, or format of a dating game show is not protected by copyright under P.D. No. 49; copyright protects the particular expression and fixed audiovisual works, not ideas or formats in the abstract; and (2) for comparison to establish infringement, presentation of the copyrighted master audiovisual tape is necessary because a television show comprises audio-visual elements and effects that cannot be fully captured by a verbal description. The Secretary relied on precedent recognizing the utility of comparing master tapes to establish the necessary linkage between an original and an alleged infringing copy and invoked the need for evidence establishing substantial similarity of expression rather than mere similarity of concept.

The Secretary’s Authority to Consider Unassigned Grounds

In response to petitioners’ contention that the master-tape requirement was not an issue raised during preliminary investigation and therefore could not be used by the Secretary to reverse, the Court explained that the Secretary of Justice is not strictly confined to the issues raised at the preliminary investigation stage. Under Rule 112, section 4, and established practice, the Secretary must independently determine whether probable cause exists and may consider unassigned errors for that purpose. The Secretary’s determination will be respected unless shown to constitute grave abuse of discretion.

Copyrightable Subject Matter: Formats versus Fixed Audiovisual Works

The Court carefully analyzed the statutory list of protected works under P.D. No. 49 (Section 2) and the analogous provisions in the Intellectual Property Code, emphasizing the long-standing principle that copyright protection extends to fixed expressions of ideas (e.g., audiovisual recordings, cinematographic works) but does not extend to ideas, concepts, formats, methods, or procedures in the abstract. Applying that legal principle, the Court concluded that BJPI’s copyright properly covered the audiovisual recordings of specific episodes of Rhoda and Me (Section 2(M): cinematographic and audio-visual works), but did not extend to the general format or concept of a dating game show. Consequently, an allegation of infringement required a comparison of the concrete audiovisual expressions — which, in this cas

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